Building on the rich tradition of “O Tannenbaum,” composer and jazz musician Gordon (Dick) Goodwin has created a dynamic and innovative adaptation that transforms this classic into an exciting holiday jazz experience. Known for his exceptional work with The Big Phat Band, Goodwin’s arrangement of “O Tannenbaum” stands out as a vibrant fusion of styles, showcasing his unique musical voice.
Origins of “O Tannenbaum”
The melody of “O Tannenbaum” is derived from an old German folk song titled “Es lebe hoch der Zimmermannsgeselle,” or “Long live the carpenter’s apprentice.” This tune underwent a transformation when Ernst Anschütz, a schoolmaster from Leipzig, penned new lyrics in 1824. Anschütz’s words were inspired by a 16th-century Silesian folk song by Melchior Franck, titled “Ach Tannenbaum.” The original folk song served as a lament, contrasting the steadfastness of the evergreen fir with the unfaithfulness of a lover.
Evolution of the Lyrics
Anschütz’s adaptation of “Ach Tannenbaum” introduced a fresh perspective, as he incorporated elements that celebrated the evergreen tree not just as a symbol of fidelity, but as a harbinger of joy during the Christmas season. In his version, he added two verses to the existing traditional verse, which linked the tree’s qualities to the broader themes of hope and enduring love that characterize the holiday.
The imagery of the fir tree in Anschütz’s adaptation retained the adjective “treu” (true, faithful) to describe its leaves, harking back to the earlier folk song’s contrast between the loyal tree and the faithless maiden. However, over time, particularly in the 20th century, this description shifted to “grün” (green), reflecting a growing association of the song with Christmas festivities rather than its original themes of love and fidelity.
| O Tannenbaum, o Tannenbaum, du verkörperst unsern Weinachtstraum!O Tannenbaum, o Tannenbaum, wie treu sind deine Blätter! Du grünst nicht nur zur Sommerzeit, Nein auch im Winter, wenn es schneit. O Tannenbaum, o Tannenbaum, wie treu sind deine Blätter!O Tannenbaum, o Tannenbaum, Du kannst mir sehr gefallen! Wie oft hat nicht zur Weihnachtszeit Ein Baum von dir mich hoch erfreut! O Tannenbaum, o Tannenbaum! Du kannst mir sehr gefallen!O Tannenbaum, o Tannenbaum! Dein Kleid will mich was lehren: Die Hoffnung und Beständigkeit Gibt Trost und Kraft zu jeder Zeit. O Tannenbaum, o Tannenbaum! Das soll dein Kleid mich lehren. |
O Christmas tree, O Christmas tree You embody our Christmas dream!O Christmas tree, O Christmas tree How lovely are your branches! You’re green not only in summertime, But also in winter, when it snows. O Christmas tree, O Christmas tree, How lovely are your branches!O Christmas tree, O Christmas tree, What happiness befalls me! How often at Christmas-time A branch from you gives such delight! O Christmas tree, O Christmas tree, What happiness befalls me!O Christmas tree, O Christmas tree, Your visage wants to teach us: Your hope and permanence Give comfort and strength at all times. O Christmas tree, O Christmas tree, Your visage wants to teach us. |
The Christmas Tree Custom
The tradition of the Christmas tree itself began to flourish in the 19th century, as various cultural practices merged and evolved. The evergreen tree became a central symbol of the holiday season, embodying eternal life and the promise of renewal. The popularity of “O Tannenbaum” grew alongside this custom, solidifying its place as a cherished Christmas carol.
A Unique Musical Adventure
Goodwin’s adaptation of “O Tannenbaum” is anything but ordinary. This arrangement offers a thrilling mix that includes a choral introduction, elements reminiscent of Count Basie’s swing style, and the fast-paced energy characteristic of Goodwin’s bebop influences. Musicians and listeners alike can expect a chart that brings new life to a familiar tune, inviting a fresh exploration of its musical possibilities.
The arrangement provides ample solo space for various instruments, allowing alto and tenor saxophones, trumpet, and trombone to shine. This feature not only highlights the individual talents within the ensemble but also reinforces the improvisational spirit that is central to jazz. Additionally, the optional doubles for instruments such as flute for the second alto saxophone, along with the lead alto’s choice of standard or soprano double, add further depth and versatility to the performance.
Conclusion
Gordon Goodwin’s adaptation of “O Tannenbaum” is a testament to the enduring nature of this beloved song, demonstrating how traditional themes can be reinterpreted through the lens of contemporary jazz. By combining elements of choral music, swing, and bebop, Goodwin not only revitalizes the holiday classic but also underscores the versatility and richness of jazz as a genre. As we enjoy this exciting arrangement, we celebrate the fusion of past and present, reminding us that the spirit of “O Tannenbaum” continues to evolve and resonate within our musical traditions.
